Aram Han Sifuentes
Aram Han Sifuentes is a fiber and social practice artist who creates participatory projects that center immigrant and disenfranchised communities. Her work often revolves around skill sharing, specifically sewing techniques, to create multiethnic and intergenerational sewing circles, which become a place for empowerment, subversion, and protest. Solo exhibitions of her work have been presented at the Jane Addams Hull-House Museum, Chicago; Hyde Park Art Center, Chicago; Chicago Cultural Center, Chicago; Pulitzer Arts Foundation, St. Louis; moCa Cleveland, Cleveland; and Skirball Cultural Center, Los Angeles.
Izabella Redzisz
Izabella is an attorney who also holds a certificate in Art and Museum Law from the DePaul University College of Law, where her studies focused particularly on authentication and repatriation. During her time at DePaul, Izabella wrote for and edited the Journal of Art, Technology, and Intellectual Property Law. She also holds a Bachelor’s degree in English and Film studies. Izabella co-owns Nightshade Floral Design, where she is able to exercise her creative side by designing floral arrangements for events all around the Chicago area.
Janet Weiss
Janet is a highly accomplished marketing and branding executive, with over twenty years of experience developing successful campaigns and strategies for cultural, art and entertainment organizations. Janet has extensive non-profit experience, including as the Head of Marketing for the Academy of Motion Picture Arts and Sciences where she oversaw branding, ad creative, media planning, marketing partnerships, sponsorship, special events and digital/mobile and social media. During her tenure, Janet led an organization-wide rebranding of the Academy, launched the Academy's social and digital platforms, generated millions of dollars in new revenue streams and increased total Oscar® viewership.
Prior to joining the Academy, Janet developed a national branding and corporate sponsorship program for the Association of Zoos and Aquariums and their 200+ member zoos and aquariums throughout North America.
Throughout her career, Janet has produced successful marketing campaigns for a wide range of programs and properties, across all consumer marketing channels. She is currently consulting for a number of media and entertainment clients, providing marketing strategy and business development.
A native of Chicago, Janet studied filmmaking at New York University's Tisch School of the Arts and began her career in film production before turning her attention to marketing. Janet recently relocated to her hometown, where she lives with her husband, who is a musician and composer.
Missi Davis
Missi Davis is a creative producer and arts manager who advances multi-faceted, non-traditional, cultural work that promotes and strengthens the intersection of the arts, social impact, and civic engagement. She brings close to 15 years of experience to HCL, having created and promoted hundreds of projects across multiple arts media; and a focus in strategic planning, business development, general management, event direction, and communications. Missi’s flagship project has been as the Producer of The Fly Honey Show, now grown into a Chicago institution with strong support and interconnection with its audience. She was a founding member of the Chicago multi-disciplinary arts organization The Inconvenience, serving as both Artistic and Executive Director; and General Manager of Hebru Brantley’s Nevermore Park. Her work also spans the cultural and commercial landscape, working with artists to create unique environments with lasting impact for the corporate field.
Angee Lennard
Angee Lennard is an arts administrator and printmaker dedicated to advancing Chicago’s non-profit arts sector in regards to equity, accessibility, community support, and operational and artistic excellence.
Motived by her own need for a welcoming and accessible space to take artistic risks, she founded the community printmaking studio, Spudnik Press Cooperative in 2007. She envisioned and built an innovative studio model where professional printmaking facilities offer a foundation for residencies, fellowships, education, exhibitions, collaborative projects and public programs, all grounded in printmaking’s history as a community-minded and accessible art form. She led the organization as Executive Director for 15 years.
As a professional printmaker, she has collaborated with local and nationally-recognized artists. Prints published by Angee Lennard have been exhibited at museums and galleries including The MoMA, the Smart Museum of Art, Monique Meloche, Editions VFO.
Her deep involvement in the arts, spanning organizational leadership, operational management, program development, studio maintenance, and print production has led her to a variety of local, regional, and national speaking engagements, as well as consultancy roles with colleges, universities, non-profits, and museums. She has been a lecturer at School of the Art Institute of Chicago in the Arts Administration and Policy and the Printmedia departments. She has served as a Marwen Foundation Teaching Fellow, a grant review panelist for the Illinois Arts Council Agency, and Treasurer for the Chicago Printers Guild (CPG). She earned a Bachelor’s of Fine Arts from SAIC in 2005, and has completed additional professional training through Kellogg School Center for Nonprofit Management.
Cynthia Bond
Cynthia Bond is a writer, educator, and project-based independent arts producer. She received a BA magna cum laude in English and Rhetoric, University of Illinois Urbana-Champaign; an MFA in Poetry and JD, Cornell University; and a Leadership Certificate in Arts Management, University of Massachusetts. She teaches at UIC School of Law, with a focus on writing and law in society. Her poetry has appeared in The Best American Poetry, among other publications, and her scholarship centers on media and images of race in popular culture. Cynthia has produced and consulted on an array of projects, collaborating with visual artists, choreographers, and filmmakers. www.cynthiabond.net
Yoshinojo Fujima aka Rika Lin
Yoshinojo Fujima (aka Rika Lin) is an interdisciplinary artist, choreographer, and Grandmaster in Fujima style Japanese classical dance. She is a “shin-nisei”, part of the postwar Japanese American diaspora. She has performed original work and as part of many collaborations at Links Hall, Chicago Cultural Center, Pritzker Pavilion at Millennium Park, and the Museum of Contemporary Art (MCA), where she premiered her full length solo Asobi: Playing within Time in 2018. Her works embody her identity and tradition through performance as well as her teaching practice in Japanese classical dance. Yoshinojo is a 2021 recipient of the Digital Dance Grantand Production Residency by Chicago Dancemakers Forum, and a 2021-2022 Fellow in Residency by High Concept Labs, for her ongoing virtual reality project “Kurokami E{m}Urge, #ChooseYourReality”. She was a John D. and Susan P. Diekman Fellowship Djerassi Resident Artist (2019), awardee of Ragdale Foundation (2019) and High Concept Labs (2018) residencies, a Links Hall Artistic Associate Curatorial Resident, 3Arts Make a Wave artist, and Chicago Dancemakers Forum Lab Artist (2017.)
Yoshinojo is founder and curator of the series “Beyond the Box”, launched in 2017 at Links Hall and that centers on female performers and creatives. Her own dance investigations alter the traditional pedagogy of Japanese dance with humor and subtle transgressions by way of questioning ideas of role and identity. Her collaborative project with puppet artist Tom Lee, Suji: Lines of Tradition, was featured as part of the 2019 Chicago International Puppet Theater Festival, Links Hall 40th Anniversary LinkSirkus, as well as “Beyond the Box”. She performed in March 2020in Kyoto, Japan at UrbanGuild as part of the MushiHime Festival, just before the pandemic came into full force. She is a recent Master Apprentice Ethnic Folk Arts Grant recipient, and adapting the pedagogy of traditional Japanese Classical dance with her mentor/teacher.
For more information please www.yoshinojo.org/
Danielle Garvey
Danielle Garvey’s current professional work focuses on digital accessibility and she has worked across the education, public service, and financial services fields. In the past, she participated in community organizing efforts for affordable housing in Chicago’s Woodlawn neighborhood. In her free time, Danielle experiments with metal work.
Mallory Yanhan Qiu
Mallory Qiu is an interdisciplinary artist living in Chicago, IL and currently pursuing her bachelors of fine arts from the school of the art Institute of Chicago (2023). She uses digital visual media to express physical sensory experience and simulate biological action, as well as field recording and synthesizer to flip the front to back page of the world for the listeners. She also be interested in interacting the glitches between human and computer due to rapid technology development, filling the gaps as an artist. Focusing on interdisciplinary collaboration, she seeks to open up different experiences and perspectives in physical and virtual spaces.
Majel Connery
Majel Connery is a vocalist, composer and musicologist. She holds a BA in music composition from Princeton University and a PhD in musicology from the University of Chicago. She moved in 2013 to the Bay Area where she accepted an Assistant Professorship in Musicology at the University of California Berkeley. As Mohr Visiting Artist at Stanford University she commissioned and performed Pulitzer Prize winner Caroline Shaw’s “Contriving the Chimes” with the St. Lawrence String Quartet, staged by director Christopher Alden. As Mellon Visiting Artist at Wellesley College she commissioned and performed “Aeolus” by Rome- and Berlin Prize winner Ken Ueno. Delving recently into radio, she has written songs about porn, periods, and sad fish for Radiolab’s “Gonads” series, released in 2019 as a digital album on Bandcamp.
Juelle Daley
Juelle Daley is a 2019- 2020 Hatch curatorial resident at the Chicago Artist Coalition and curator for the exhibit, “Excavating Memory”.
After residing and studying in France for several years, she arrived in Chicago with an M. A. in Urban Planning & Design from the Institut Francais d’ Urbanisme and a B.A. in East Asian Studies (China) and Urban Studies from Rutgers University. She is currently Assistant Director at the Center for Black Diaspora at DePaul University, and an MFA candidate in Film at DePaul’s School of Cinematic Arts.
All of this and more have transformed her into a hybrid cultural creature, a self-described nerd, dreamer, cinephile, Francophile, filmmaker, photographer and art lover. She is the co-founder of the itinerant pop-up art event Salon Caju that showcases the art of local Chicago creatives. She directed the short film, “Six Hour Pass” and is currently in post-production on documentaries titled “Tainted Name” and “Watered Down Memories”.
Like a plant, she grows towards the light.
Recently, she curated the exhibit “Ebony and Jet magazine covers of the 1960’s”.
For more information please visit https://www.juelledaley.com
Miranda Gonzalez
Miranda Gonzalez is currently a Producing Artistic Director at UrbanTheater Company (UTC) in Humboldt Park and works for The Nova Collective, a diversity equity and inclusion consulting firm. She was a founding ensemble member of Chicago’s All Latina Theater company Teatro Luna and has devised and developed plays since 2000. She is a 3Arts and ALTA nominee and recipient of the International Centre for Women Playwrights 50/50 Award. Her most recent play Back In The Day: an 80’s House Music Dancesical, World Premiered as a part of Chicago Latino Theater Festival Destinos Festival at UTC in the fall of 2019. Previous directing, writing, and script development credits include; Ashes of Light by Marco Antonio Rodriguez, La Gringa by Carmen Rivera, Of Princes and Princesas by Paola Izquierdo at the 2010 Goodman Latino Theatre Festival, Lullaby by Diane Herrera, Crossed, GL 2010, The North/South Plays a workshop at the Chicago Department of Cultural Affairs; F.O.P and Crime Scene Chicago with Collaboraction; and Melissa DuPrey’s Sushi-Frito at Free Street Theater. She is also an Executive Producer for the web series 50 Blind Dates with Melissa DuPrey and has written for web series Ruby's World Yo created by Marilyn Camacho, Season 1 episode 3 and Season 2 episodes 1-4.
Angelique Grandone
Angelique Grandone draws on a background in theatre making, contemporary circus, and social justice in her work as a performer, doula, health educator, community organizer, programmer and production manager. She is currently the Program and Event Coordinator for Theatre and Performing Arts and the Managing Director of Theater on the Lake Summer Theater Festival, both with the Chicago Park District. She holds a BA in Theater Arts from Bradley University.
Brittany Harlin
Brittany Harlin is originally from Bolingbrook, Illinois, where she began dance in jazz at the age of six. Her original dance and music influences began in her close multigenerational family, and formational influences are the pioneers in Hip Hop and Modern dance. She studied dance at Loyola University Chicago. She is the founding artistic director of Chicago Urban Dance Collective, which is driven by Harlin’s purpose to represent the full spectrum of street dance to live music and dj’s on the concert stage.
Harlin is a former High Concept Labs Artist in Residence, in performance choreography and filmmaking. She is a 2017 recipient of the Chicago Dancemakers Forum Lab Artist Award, and the 2018 recipient of the Sybil Shearer fellowship. In addition to work for her company, her dancing and choreography has been featured at Ragdale Foundation, Links Hall, Elastic Arts, Aragon Ballroom, DRAMA Duo Music Productions, Black Ensemble Theatre, and Hip Hop International.
Her first short film, “Delinea Renda”, inspired by the work of visual artist and writer Barbara Chase Riboud, features original poetry, vocals and choreography by Harlin, music by composer Josh Luis, and engineer-producing by Peter Angorola and Melvin Rosario. The film’s development was a coveted 3Arts Project Match selection in 2018, surpassing the goal and receiving its release in 2019.
Her first length work for her company, “Breathing Through Vernacular Movement”, was premiered by the Museum of Contemporary Art Chicago in 2018. Her latest full length piece for her dancers, ”Don’t Forget Your Mother,” is a choreographic memoir set to music and dedicated to mothers on Earth and ancestors beyond, and received its world premiere as part of the 2019 Pivot Arts Festival.
Harlin regards the body of work to date as a living investigation of social movement origins in the music and dance forms of Hip Hop, Modern, Funk Styles, Waacking, and House, which she combines with her growing knowledge of somatics and kinesiology. Her teaching artist pedagogy and philosophy are weighted in respecting the integrity of the vernacular movement by sharing what she’s been taught from respected community members. As an educator, she aims to bring dance to a place of complete body awareness, spiritual expression, and connection.
For more information please visit http://brittanyharlin.com/
Meida Teresa McNeal
Meida Teresa McNeal is Director of Honey Pot Performance. She serves the Chicago Park District as Arts & Culture Manager, supporting community arts partnerships, youth arts, cultural stewardship, and civic engagement initiatives. She holds a PhD in Performance Studies from Northwestern University and an MFA in Choreography & Dance History from Ohio State University. She is the recipient of several awards including a Chicago Dancemakers Lab Award and a 3Arts Award in Dance. She has taught dance, community engaged arts, critical performance ethnography, and black diasporic cultural production at Northwestern University, Brown University, Governors State, and Columbia College Chicago. Positioned as an artist, scholar and administrator, she merges theory and practice into lived applications that cultivate dialogue, decolonize knowledge, and shift consciousness.