praise mother: a (N) spiritual is an interactive installation and work-in-progress performance by Aaliyah Christina featuring research, poetry, autobiographical materials & sounds, and liturgical improvisation. It explores themes of mental health, grief, and mother/daughterhood.

With much care for witnesses and listeners, mentions of depression, anxiety, suicide, abortion, and death will occur.

PASSAGE will have live and remote audiences in both San Francisco and Chicago-- inspired and informed by 1.5 year’s worth of lockdown’s remote collaborations. PASSAGE by Kinetech Arts in San Francisco is an immersive experience of performances, soundscapes, and interactive installations.

In Chicago, experience PASSAGE's live counterpart at High Concept Labs -- where HCL's Partner Artist in Residence Irene Hsiao develops a live experience with interactive installations in her remote collaboration with the Bay Area performance. Guests will also have the opportunity to explore the worlds of Mana Contemporary's participating fourth floor artists who will be opening their studios for this occasion. Guests are invited to attend at any point during the duration of the performance, with a suggesting visiting time between 30 minutes and 1 hour. Registration is strongly encouraged.

PASSAGE will have live and remote audiences in both San Francisco and Chicago-- inspired and informed by 1.5 year’s worth of lockdown’s remote collaborations. PASSAGE by Kinetech Arts in San Francisco is an immersive experience of performances, soundscapes, and interactive installations.

In Chicago, experience PASSAGE's live counterpart at High Concept Labs -- where HCL's Partner Artist in Residence Irene Hsiao develops a live experience with interactive installations in her remote collaboration with the Bay Area performance. Guests will also have the opportunity to explore the worlds of Mana Contemporary's participating fourth floor artists who will be opening their studios for this occasion. Guests are invited to attend at any point during the duration of the performance, with a suggesting visiting time between 30 minutes and 1 hour. Registration is strongly encouraged.