Douglas R. Ewart is a Kingston, Jamaica native (b. 1946) and inimitable composer, improviser, inventor, visual artist, and educator. He is a 2020 New Music USA Project award recipient for “Douglas R. Ewart: Expressions,” his first comprehensive solo presentation in the US and which takes place as an installation and a series of virtual live concerts across multiple platforms.

As a seminal composer and musician, Ewart is internationally recognized as a member of the Association for the Advancement of Creative Musicians (AACM), which he joined in 1967 and served as the organization’s president from 1979-1986. He has toured with AACM and as part of countless additional music projects throughout Europe, Africa, South America, and Asia. As a featured artist, he has performed original music compositions with his numerous ensembles at the Moers International Festival (Germany), the University of Puerto Rico San Juan, throughout Brazil, Italy, Japan, and the US, and for multiple engagements in Tokyo, Perth, Havana, Paris, Stockholm, London, Düsseldorf, and Berlin.

A prestigious 1987 U.S.-Japan Creative Arts Fellowship supported his study of both modern Japanese culture and the traditional Buddhist shakuhachi flute. He has received a Bush Artists Fellowship and is a multiple-recipient of Minnesota Composers Forum/McKnight Foundation fellowships and Jerome Foundation grants.

He has applied his continual learning in philosophy to a thirty year-tenure with The School of the Art Institute of Chicago, until retiring in 2016. As aprolific inventor and visual artist he has been presented by the Art Institute of Chicago, the Smart Museum, the Museum of Contemporary Art Chicago, the Museum of Science and Industry. An immersive, evolving installation in 2020 at ESS’s Audible Gallery includes his personal collection of historical artifacts, film, sculptures, and memorabilia, and illuminates Ewart’s current multimedia work, and new works created with members from the international creative arts and music communities.

For more information please visit https://douglasewart.com

Mark Jeffery is a Chicago based performance/installation artist, curator and Associate Professor at the School of the Art Institute of Chicago. Mark co - founded ATOM-r in 2012, a performance and technology group where he is a choreographer, director and performer in the company. He is the organizer of IN>TIME, a triannual performance festival presented by multiple venues in Chicago. Mark was a member of the former Goat Island Performance Group, from 1996 - 2009.

Stephan Moore is a sound artist, designer, composer, improviser, programmer, engineer, teacher, and curator based in Chicago. His creative work manifests as electronic studio compositions, improvisational outbursts, sound installations, scores for collaborative performances, algorithmic compositions, interactive art, and sound designs for unusual circumstances. Much of his work has been realized in collaborative projects, most notably with sound artist Scott Smallwood in their duo Evidence and with choreographer Yanira Castro in the collective a canary torsi. He is the curator of sound art for the Caramoor Center for Music and the Arts, organizing annual exhibitions since 2014. He is also the president of Isobel Audio LLC, which builds and sells his Hemisphere loudspeakers. He was the music coordinator and touring sound engineer of the Merce Cunningham Dance Company (2004-10), and has worked with Pauline Oliveros, Anthony McCall, and Animal Collective, among many others. In 2019, he co-founded the Chicago Laboratory for Electro-Acoustic Theater to promote and encourage the creation of multichannel audio works. He is a Distinguished Associate Professor of Instruction in the Sound Arts and Industries program at Northwestern University.

Zachary Whittenburg has worked in Chicago’s cultural sector since 2002, in arts advocacy and journalism, marketing and communications, and as a consultant on a variety of programs for artist support and equitable funding. A regular contributor to Dance Magazine, Zac is founding board secretary for the Chicago Dance History Project and, as associate director of marketing and communication at Hubbard Street Dance Chicago, he represented the organization on the Chicago Dancemakers Forum consortium. A working artist for 13 years in Canada and the U.S., Zac created and performed choreography with companies including BJM Danse Montréal, Hubbard Street, Lucky Plush Productions, Molly Shanahan / Mad Shak, and Pacific Northwest Ballet, after which he was dance editor at Time Out Chicago magazine and communications and engagement director at Arts Alliance Illinois. He is currently an arts program officer at the Richard H. Driehaus Foundation.